Press
Reviews and features from journals, magazines, and independent outlets. Each clip links out to the original piece.
arquitecturaviva.com
Arquitectura Viva
Exhibition review
The P Line. The Bunkers of the Pyrenees · Iñaki Bergera
arquitecturaviva.com
Arquitectura Viva
Book review
The P Line. The Bunkers of the Pyrenees · Iñaki Bergera
metalocus.es
Metalocus
Exhibition and book review
The P Line. The Bunkers of the Pyrenees · Iñaki Bergera
londonist.com
Londonist
Trackside Transformation: The Evolution of British Mainline Stations 1923-1947 is a new book that digs into the station architecture of the 'Big Four' — Great Western Railway, London Midland and Scottish Railway, London and North Eastern Railway, and Southern Railway — between the 1920s-40s.
Trackside Transformation - The Evolution of British Mainline Stations 1923-1947 · Philip Butler
arquitecturaviva.com
Arquitectura Viva
Project review
Poetics of Abandonment. Siza in Panticosa · Iñaki Bergera
arquitecturaviva.com
Arquitectura Viva
Book Review
Poetics of Abandonment. Siza in Panticosa · Iñaki Bergera
theguardian.com
The Guardian
From the mock-Tudor fad of the 1920s to drivers refuelling on a roundabout, each era produces its own distinctive petrol stations – as photographer Philip Butler discovered
226 Garages & Service Stations · Philip Butler
wallpaper.com
Wallpaper*
Fuel Publishing has released Trucks and Tuks and 226 Garages and Service Stations, two monographs charting intriguingly different aspects of automotive culture
226 Garages & Service Stations · Philip Butler
photojournalismhub.org
Photojournalism Hub
Felkin details an enriched cultural existence within a clan that had found a safe place to sustain their creative lives. The community was innovative and packed with independent souls. In Site was shortlisted for the British Photography Awards, exhibited in the Polarity exhibition at Photojournalism Hub, as well as selected in the Inequality open call at Photo Frome.
In Site · Denise Felkin
loeildelaphotographie.com
The Eye Of Photography
We, The Free (The Invisible Yoke, Volume IV) · Matt Eich
nybooks.com
The New York Review of Books: A Nation Deranged
We, The Free (The Invisible Yoke, Volume IV) · Matt Eich
loupemag.com
Loupe
Society seems to perceive and treat motherhood and fatherhood differently. To not be a mother can implicate taboos related to fertility and questions on the role of women; it seems that childless and childfree women undergo social prejudice whereas most of the men in your project claim they don’t experience any – and one even added ‘quite the opposite’.
Dad's Not the Word · Denise Felkin
wallpaper.com
Wallpaper*
‘London Tube Stations 1924-1961’ is a new monograph published by Fuel, on the work of Charles Holden and Frank Pick, who reshaped the graphic identity and spatial perception of the London Underground
London Tube Stations 1924-1961 · Philip Butler
americansuburbx.com
American Suburb X: Matt Eich's The Seven Cities
The Seven Cities (The Invisible Yoke, Volume III) · Matt Eich
inews.co.uk
iPaper
'I label myself as child-free’ – the photographer Denise Felkin on her ‘Mum’s Not The Word’ project
Mum's Not the Word · Denise Felkin
internazionale.it
Internazionale
Denise Felkin has photographed women who do not have children. It is an invitation to reflect on individual freedom, cultural models, and collective responsibility.
Mum's Not the Word · Denise Felkin
theguardian.com
The Guardian
Some have chosen not to have a baby; others can’t, or have lost them: five women talk frankly about being childfree.
Mum's Not the Word · Denise Felkin
fence.photoville.com
Photoville FENCE: Sin & Salvation in Baptist Town
Sin & Salvation in Baptist Town (The Invisible Yoke, Volume II) · Matt Eich
burnmagazine.org
Burn Magazine
Sin & Salvation in Baptist Town (The Invisible Yoke, Volume II) · Matt Eich
featureshoot.com
FeatureShoot: One Photographer’s Haunting Love Song to Appalachia
Carry Me Ohio (The Invisible Yoke, Volume I) · Matt Eich
theatlantic.com
The Atlantic: A Hidden American Anger
Carry Me Ohio (The Invisible Yoke, Volume I) · Matt Eich
theguardian.com
The Guardian
When Britain goes to the polls on Thursday, millions of people, young and old, will be doing as Russell Brand does and shunning the ballot box. Photographer Denise Felkin has made this ‘movement’ the focus of a project in which she profiles nine non-voters and asks them why they won’t be participating.
I'm Not Voting Because... · Denise Felkin
petrantonov.com
Source Magazine, Issue 92, 2017, by Eugenie Shinkle
The standout pieces in this selection—by Antonov, Chick, and Moore—suggest that the way to outplay convention is not necessarily to rail against it but to work slowly and carefully within it, understanding the cliché itself as a form to be adapted through a series of subtle twists and turns. The enemy of photography will be defeated not by demolishing its foundations but by quietly remaking its interior.
Trees, Cars, Figures of People, Assorted Barriers · Petr Antonov
theguardian.com
The Guardian
Paul Trevor’s Constant Exposure, a patchwork print of black-and-white television stills, looks just like life in the age of the smartphone, quite a feat when you consider that it was created back in the 1980s.
Constant Exposure · Paul Trevor