Kurmaz's third publication sets nude snapshots against the post-industrial, brutalist architecture of Kyiv in a series of diptychs. Rooted in his graffiti years spent roaming the city for locations, it contrasts the frank materiality of concrete with the human body, using the body as political material against conservatism, conformism and religious fanaticism.
Colophon
ReleasedJan 1, 2013
CreditsAll images on this page are owned by the respective creator.
Press
- Dazed
dazeddigital.com
- Dazed (gallery)
dazeddigital.com
- Tipitin
tipitin.com
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