Sense

Printed on paper made from Japanese shrubs, this work of book art documents artist Ann Hamilton’s fascination with tactility, an exploration into the possibility of cultivating attention in a hyper-distracted world of information. Throughout her practice, Ann Hamilton has used videos and still images as part of her larger installation works, though they have rarely been the singular focus of a project. This publication brings together vocabulary from four bodies of image-based work produced over the last five years and includes photographic portraits as well as lens-less contact scans of ornithological taxidermy, fabrics and garments, and objects from various personal and institutional collections. Hamilton believes that her projects can be considered not as artifacts or something to be documented, but as their own material object—in this case, a book. While Sense contains images that Hamilton has accumulated over many years, of people and of objects that conflate touch, light, and surface, the book also becomes an object in hand, a thing felt, an artwork in itself. Reprocessed through multiple printings on tissue Gampi and newsprint, the images emphasize the tactile nature of their substrate and Hamilton’s material hand. The work’s physical presence is reinforced by the textured surface of the book’s pages and scale shifts. This volume thus becomes an art object of its own; repetition, the atmospheric nature of the images’ shallow depths of field, and the intuitive connections made between different bodies of work create an almost film-like cadence that renders the felt qualities of touch.